Jede von … Braque's paintings of 1908–1912 reflected his new interest in geometry and simultaneous perspective. On 20 May 2010, the Musée d'Art Moderne de la Ville de Paris reported the overnight theft of five paintings from its collection. “A comparison of the works of Picasso and Braque during 1908 reveals that the effect of his encounter with Picasso was more to accelerate and intensify Braque’s exploration of Cézanne’s ideas, rather than to divert his thinking in any essential way.”[3] Braque's essential subject is the ordinary objects he has known practically forever. [8], Vauxcelles, on 25 March 1909, used the terms "bizarreries cubiques" (cubic oddities) after seeing a painting by Braque at the Salon des Indépendants.[9]. Georges Braque (født 13. maj 1882 i Argenteuil, Val-d'Oise, Frankrig, død 31. august 1963 i Paris, Frankrig) var en fransk maler og skulptør.Han og Pablo Picasso grundlagde kubismen.. Braque voksede op i Le Havre i en familie af bygningsmalere og blev selv uddannet maler. Estimate: $1,000 - $1,500 Description: Georges Braque (1882-1963) Dans le ciel (Oiseau XV) (V. 124), 1958 Lithograph in colors on Arches paper, signed in pencil and numbered 42/75, published/printed by Galerie Maeght/Mourlot Frères, Paris, with full margins. Georges Braque 1882-1963 Sein Lebenswerk zeugt nicht nur von einer außergewöhnlichen Experimentierfreude, sondern auch von einer höchst eigenwilligen bildnerischen Fantasie und Gestaltungskraft. Braque's work between 1908 and 1912 is closely associated with that of his colleague Pablo Picasso. [14] During his recovery he became a close friend of the cubist artist Juan Gris. Georges Braque, (born May 13, 1882, Argenteuil, France—died August 31, 1963, Paris), French painter, one of the important revolutionaries of 20th-century art … His most important contributions to the history of art were in his alliance with Fauvism from 1905, and the role he played in the development of Cubism. The two artists' productive collaboration continued and they worked closely together until the beginning of World War I in 1914, when Braque enlisted with the French Army. Er wurde in Argenteuil geboren und wuchs in Le Havre auf, wo er, wie sein Vater und sein Großvater, eine Ausbildung zum Dekorationsmaler machte. It is impossible to say which of the two was the principal inventor of the revolutionary new style, for, at the height of their collaboration, they exchanged ideas almost daily. Chr.! Braque believed that an artist experienced beauty "… in terms of volume, of line, of mass, of weight, and through that beauty [he] interpret[s] [his] subjective impression...”[17] He described "objects shattered into fragments... [as] a way of getting closest to the object...Fragmentation helped me to establish space and movement in space”. Georges Braque (französisch, geb. The 1907 Cézanne retrospective at the Salon d'Automne greatly affected the avant-garde artists of Paris, resulting in the advent of Cubism. Pablo Ruiz Picasso wurde am 25.Oktober 1881 in eine kreative Familie hineingeboren. He showed this in the painting Houses at l'Estaque. During the period between the wars, Braque exhibited a freer, more relaxed style of Cubism, intensifying his color use and a looser rendering of objects. Berger, John. With the outbreak of World War I, he entered the army as an infantry sergeant and served with distinction, being decorated twice in 1914 for bravery. He conducted an intense study of the effects of light and perspective and the technical means that painters use to represent these effects, seeming to question the most standard of artistic conventions. Let us know if you have suggestions to improve this article (requires login). Released from further military service, the artist rejoined the Cubist movement in 1917, which was then still in its Synthetic phase. Braque, along with Matisse, is credited for introducing Pablo Picasso to Fernand Mourlot, and most of the lithographs and book illustrations he himself created during the 1940s and '50s were produced at the Mourlot Studios. Like Picasso and de Chirico, Georges Braque also designed stage sets for the Ballets Russes. The next year, he attended the Académie Humbert, also in Paris, and painted there until 1904. Braque was at first disconcerted by Picasso’s recent work Les Demoiselles d’Avignon (1907). Gegenbewegung gegen die idealisierenden Darstellungen der vorhergehenden Epochen Klassizismus und der Romantik. Braque died on 31 August 1963 in Paris. Gestorben am: 31. In tactile space you measure the distance separating you from the object, whereas in visual space you measure the distance separating things from each other. During this period he added to the aphorisms he had been in the habit of scribbling on the margins of his drawings, and in 1917 a collection of these sayings, put together by his friend the poet Pierre Reverdy, was published in the review Nord–Sud as “Thoughts and Reflections on Painting.” Even a brief sampling can suggest the quality, at once poetic and rational, of Braque’s mind and the sort of thinking that lay behind Cubism: New means, new subjects…The aim is not to reconstitute an anecdotal fact, but to constitute a pictorial fact…To work from nature is to improvise…The senses deform, the mind forms…I love the rule that corrects emotion. In his village scenes, for example, Braque frequently reduced an architectural structure to a geometric form approximating a cube, yet rendered its shading so that it looked both flat and three-dimensional by fragmenting the image. However, he also studied artistic painting during evenings at the École des Beaux-Arts, in Le Havre, from about 1897 to 1899. 26 Apr. He was most well known for being the founder of Cubism alongside famous artist Pablo Picasso. Man besann sich wieder auf das „Ich“, die Individualität und die Subjektivität. He was interested in sports, especially boxing, and also took a liking to playing the flute. However, he still remained committed to the cubist method of simultaneous perspective and fragmentation. Die Menschen in der Urzeit zeichneten hauptsächlich Tiere auf Höhlenwände: Pferde, Büffel oder auch Mam… Die Kunst der Malerei ist viel älter, als man vielleicht meinen mag. It was here that he met Marie Laurencin and Francis Picabia. ... Georges Braque (s.u.) 2020 In der Sammlung des Kunstmuseums Basel gibt es rund 4000 Gemälde, Skulpturen, Installationen und Videos sowie mit den Beständen des Kupferstichkabinetts rund 300'000 Zeichnungen und Druckgrafiken aus sieben Jahrhunderten. In 1911, he stenciled letters into The Portuguese. 11 3/8 x 14 1/4in (28.8 x 36.3cm) sheet 15 x 22in (38.1 x 55.8cm) For further information on this lot please visit the Bonhams website Georges Braque, 1908 Georges Braque. Art historian Ernst Gombrich described Cubism as "the most radical attempt to stamp out ambiguity and to enforce one reading of the picture—that of a man-made construction, a colored canvas. These works reflect the influence of Braque’s idol, Cézanne; this influence is seen most obviously in the fact that L’Estaque was a favourite painting site for Cézanne, but also in the fact that Braque emulated the older painter’s use of colourful tilted planes and his reduction of form to geometric, often cylindrical, shapes. 13. One example of this is his 1943 work Blue Guitar, which hangs in the Allen Memorial Art Museum. Geboren am: 13. Rapidly, however, he moved away from austere geometry toward forms softened by looser drawing and freer brushwork, as seen in Still Life with Playing Cards (1919). For example, in Violin and Palette (1909), Braque painted a trompe l’oeil nail in the midst of the near-abstract planes. After these radical works were rejected by the Salon d’Automne, that fall Braque had a show at Kahnweiler’s gallery and provoked a remark about “cubes” from the Paris critic Louis Vauxcelles that soon blossomed into a stylistic label. Lw., 117 x 73,5 cm. Georges BRAQUE (1882-1963) (France) is an artist born in 1882 The oldest auction result ever registered on the website for an artwork by this artist is a drawing-watercolor sold in 1983, at Sotheby's, and the most recent auction result is a objects sold in 2020. Die kubistische Bildgestaltung. In addition to the invention of Cubism, he did also focus on other forms of art which were prominent during this time period as well. Georges Braque was born in 1882 in the small town of Argenteuil near Paris, but his family later moved to the port city of Le Havre in the region of Normandy, where he spent much of his childhood and teenage years. In 1906, Braque traveled with Friesz to L'Estaque, to Antwerp, and home to Le Havre to paint.[1]. Georges Braque ist früh ertraut mit den Pariser Fauvisten. Braque's early interest in still lifes revived during the 1930s. After a year of military service he decided, with the help of an allowance from his family, to become an artist. He is credited with the creation of the visual arts style of Cubism, alongside Pablo Picasso, between 1907 and 1914. His most important contributions to the history of art were in his alliance with Fauvism from 1905, and the role he played in the development of Cubism. Please select which sections you would like to print: Corrections? Jahrhunderts, die von Pablo Picasso (1881–1976) und Georges Braque (1882–1963) zwischen 1907/08 und 1910 entwickelt wurde. The artists broke down planes and eliminated traditional perspectival space, which resulted in crowded canvases of subjects depicted so broken apart that they were nearly impossible to perceive. Mai 1882 – gest. Georges Braque, Rückseite von "Violon et verre", 1912–1914, Kunstmuseum Basel. Georges Braque, The Portuguese, 1911, oil on canvas, 116.8 x 81 cm (Kunstmuseum Basel, Basel, Switzerland) Cold Coffee and Analytic Cubism To understand Cubism it helps to go back to Cézanne’s still life paintings or even further, to the Renaissance. Artprice.com's price levels for this artist are based on 9,616 auction results. [11] He was trepanned, and required a long period of recuperation. Zerlegung der Gegenstände in abstrakte Formen. In contrast to Picasso, who continuously reinvented his style of painting, producing both representational and cubist images, and incorporating surrealist ideas into his work, Braque continued in the Cubist style, producing luminous, other-worldly still life and figure compositions. These artists were the style's main innovators. Bedeutender Maler des: Kubismus Sein Leben. He painted many still life subjects during this time, maintaining his emphasis on structure. Georges Braque - Violine und Krug (1910) Öl a. 1897 til 1899 fik han aftenundervisning på den lokale kunstskole. Picasso celebrates animation, while Braque celebrates contemplation. Zu dieser Zeit wurden natürlich noch keine Porträts oder Stillleben gemalt. August 1963) war ein Maler und Bildhauer, der zur Entwicklung des Kubismus einen erheblichen Beitrag geleistet hat. https://www.britannica.com/biography/Georges-Braque, The Art Story - Biography of Georges Braque, Georges Braque - Student Encyclopedia (Ages 11 and up). George Braque Vintage Lithograph Derriere Le Miroir 1956 15"×11" $95.00 Georges Braque, French (1882-1963) Drypoint Etching on Arches Laid Paper " Job" Pencil Signed Lower Right. Make Offer - Georges Braque Vintage Plate Signed Serigraph "The Beach" 1950s Catalda Fine Art. In 1915 he suffered a serious head wound, which was followed by a trepanation, several months in the hospital, and a long period of convalescence at home in Sorgues. Das beweisen Höhlenmalereien und bis zu 30.000 Jahre alte Figurenfunde. (1980). Während seine Zusammenarbeit mit Pablo Picasso und ihren kubistischen Werken am bekanntesten ist, hatte Braques eine langjährige Karriere als Maler, die über den Kubismus hinausging. In 1917–18 Braque painted, partly under the influence of his friend Juan Gris, a Spanish-born Cubist master whose paintings were strongly Synthetic Cubist, the geometric, strongly coloured, nearly abstract Woman Musician and some still lifes in a similar manner. Artist’s Jewellery - Benaki Museum, Athens 2011 Pioneer Of Modernism - Acquavella Galleries, Inc., New York City, NY La Theogonie de Georges Braque - LaM - Lille Métropole musée d'art moderne, d'art contemporain et d'art brut, Villeneuve d'Ascq 2010 Georges Braque, Violine und Krug, 1910 Die Formen, die zum Aufbau des Bildes dienen, werden nicht mehr aus dem Zerlegen der Gegen-stände gewonnen, sondern die Bildfläche wird von vornherein aus Formen zusammengesetzt (= syn-thetisiert). [20][21] A window had been smashed and CCTV footage showed a masked man taking the paintings. Kunst-Epochen. Braque’s Man with a Guitar is an example: the colours are brown, gray, and green, the pictorial space is almost flat, viewpoints and light sources are multiplied, contours are broken, volumes are often transparent, and facets are turned into apparently illogical simultaneous views. Braque can be said to have begun to find his way in 1905, when he visited the Paris Salon d’Automne and saw the violent explosion of arbitrary colour in the room occupied by the paintings of the group nicknamed Les Fauves (“Wild Beasts”). In 1912, they began to experiment with collage and Braque invented the papier collé technique. [23], Georges Braque, 1908, Plate and Fruit Dish, oil on canvas, 46 x 55 cm, private collection, Georges Braque, 1908, Cinq bananes et deux poires (Five Bananas and Two Pears), oil on canvas, 24 x 33 cm, Musée National d'Art Moderne, Georges Braque, 1908, Maisons à l'Estaque (Houses at l'Estaque), oil on canvas, 73 x 59.5 cm, Kunstmuseum Bern, Georges Braque, 1908–09, Fruit Dish, oil on canvas, 54 x 65 cm, Moderna Museet, Stockholm, Georges Braque, 1909, Port en Normandie (Little Harbor in Normandy), 81.1 x 80.5 cm, The Art Institute of Chicago, Georges Braque, 1909, La Roche-Guyon, le château (The Castle at Roche-Guyon), oil on canvas, 80 x 59.5 cm, Moderna Museet, Stockholm, Georges Braque, 1909 (September), Violin and Palette (Violon et palette, Dans l'atelier), oil on canvas, 91.7 x 42.8 cm, Solomon R. Guggenheim Museum, Georges Braque, 1909–10, Pitcher and Violin, oil on canvas, 116.8 x 73.2 cm, Kunstmuseum Basel, Georges Braque, 1910, Femme tenant une Mandoline, 92 x 73 cm, Bavarian State Painting Collections, Georges Braque, 1910, Portrait of a Woman, Female Figure (Torso Ženy), oil on canvas, 91 x 61 cm, private collection, Georges Braque, 1911, Nature morte (Still Life), Reproduced in Du "Cubisme", by Albert Gleizes and Jean Metzinger, 1912, Georges Braque, 1911, Nature Morte (The Pedestal Table), oil on canvas, 116.5 x 81.5 cm, Georges Pompidou Center, Paris, Georges Braque, 1911–12, Girl with a Cross, oil on canvas, 55 x 43 cm, Kimbell Art Museum, Fort Worth, Texas, Georges Braque, 1911–12, Man with a Guitar (Figure, L’homme à la guitare), oil on canvas, 116.2 x 80.9 cm (45.75 x 31.9 in), Museum of Modern Art, New York, Georges Braque, 1912, Violin: "Mozart Kubelick", oil on canvas, 45.7 x 61 cm, Metropolitan Museum of Art, Georges Braque, 1913, Nature morte (Fruit Dish, Ace of Clubs), oil, gouache and charcoal on canvas, 81 x 60 cm (31.8 x 23.6 in), Musée National d'Art Moderne, Centre Georges Pompidou, Paris, Georges Braque, 1913, Femme à la guitare (Woman with Guitar), oil and charcoal on canvas, 130 × 73 cm, Musée National d'Art Moderne, Centre Pompidou, Paris, Georges Braque, 1913–14, Still Life on a Table (Duo pour Flute), oil on canvas, 45.7 × 55.2 cm, Lauder Cubist Collection, Metropolitan Museum of Art, New York, Georges Braque, 1914, Violon et verre (Violin and Glass), oil, charcoal and pasted paper on canvas, oval, 116 x 81 cm, Kunstmuseum Basel, Georges Braque, 1914, Man With a Guitar, oil on canvas, 130 x 73 cm, Musée National d'Art Moderne, Centre Georges Pompidou, Paris, Georges Braque, 1918, Rhum et guitare (Rum and Guitar), oil on canvas, 60 x 73 cm, Colección Abelló, Madrid, Georges Braque, 1908, photograph published in.
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